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      <p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;">The North American holiday season is in full effect, and so is the reading for next year’s Republic of Consciousness Prize. At their Thanksgiving tables, our judges expressed gratitude for the seemingly endless supply of excellent fiction from small presses across the continent, and they’re starting their December gift-giving by endorsing some of their favorite submissions.</p>
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    <table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" align="center" class="side-layout" style="width:100% !important;"><tbody><tr><td class="section-text-cell" style="padding-top:22px;padding-right:22px;padding-bottom:22px;padding-left:22px;">
      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;color:#000;">Head judge Lori Feathers praises <em>Lesser Ruins </em>by Mark Haber from Coffee House Press: </p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;color:#000;"><em>A delightfully absurd and heartfelt story of a newly widowed college professor and his house music-obsessed son as they struggle to connect and grieve. Always in pursuit of the "mental Saharas" that will give him the peace and quiet to write his book-length essay on Montaigne, the professor rants about cell phones, artisanal coffee, and the indifference of his students. This wonderful novel made me laugh more than any other book this year.</em></p></div>
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    <table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" align="center" class="side-layout" style="width:100% !important;"><tbody><tr><td class="section-text-cell" style="padding-top:22px;padding-right:22px;padding-bottom:22px;padding-left:22px;">
      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;color:#000;"><em>J</em>udge James Crossley recommends <em>The Lodgers</em> by Holly Pester from Assembly Press: </p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;color:#000;"><em>Pester’s novel defies prize submission stereotypes in a couple of ways. First, its scope is narrow, restricted to a small English town and the even smaller rented rooms occupied by the protagonist. Second, it’s a low comedy, not high drama, capable of producing a serious quantity of laughter. I was taken by its sideways logic and its strange domestic surrealism, and utterly tickled by its uniquely expressive language. If Beckett were a 21st-century feminist, </em>The Lodgers <em>is the kind of book he might write. </em></p></div>
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      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;color:#000;"><em>The Case of Cem</em> by Vera Mutafchieva (translated by Angela Rodel) is published by Sandorf Passage. Since its initial publication in 1967, it’s been considered a classic piece of Bulgarian literature, an assessment judge Chris Via agrees with:</p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;color:#000;"><em>Since </em>The Case of Cem <em>is composed as a series of depositions, I was a little apprehensive at first. But this proved to be quite an engaging and smooth-reading narrative! With every page, I found myself more and more invested in this flashpoint of history, and in awe of Mutafchieva’s deep knowledge and novelistic acumen (not to mention Rodel's translation that imparts these gleanings). It reminds me of what I love most about the novels of Umberto Eco: you get the expertise of a medievalist and historian, the passion of a teacher, and the creativity of a novelist, all in one book. I marveled at the different personalities Mutafchieva was able to paint and the clever way she established a linear narrative through a patchwork of opposing perspectives. This is not only a great piece of fiction, but an important explication of the schism between East and West, between Islam and Christianity.</em></p></div>
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